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木村尚樹　
NAOKI KIMURA
fine photographic arts
since 1987

The theory of
Zero-Horizon marginal photographic art

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1. Prologue

& Epilogue

I. Introduction — On the Distinction Between Photographic Art and Art Itself

II. The Concept of “Zero-Formula”

III. “Zero” and “Fluctuation” — The Mediation of Existence

IV. “To Capture” and “To Return” — Photography as Reversal of the Act

V. The Structure of Zero-Horizon Art — Art as Critical Existence

VI. Conclusion — The Horizon of Zero

Zero-Horizon as the Ideological Successor to Marginal Art

1. Tsurumi Shunsuke’s Definition of “Marginal Art”

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2. Marginal Arts

Shunsuke Tsurumi's Marginal Art

"Nagi" Lull the flucutuation

"MONONOAWARE",　The true nature of " Nagi"

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The "Fluctuation"

Fluctuation is a coiled feeling.

Photography as a Marginal Art

Instagram Thoughts I

3. Zero-Horizon marginal photographic art III

"If primitive ≒ instinctive, the horizon of marginal art, "zero," has "fluctuation."

2. Zero-Horizon marginal photographic arts II

"Beautiful" is an instinct

I. Zero-Horizon marginal photographic art

Theory of Zero-H..M P A

Zero-horizon formula III

Fluctuating Desire

Zero-horizon formula II

Fluctuation" as a Qualia (texture)

Zero-horizon formula I

Value as a new way of "discernment"

Record and the moment

Memento mori

Democratization of the Photo Arts II

Failure to be "discerning"

Democratization of the Photo Arts

Transformation into Marginal Art ( Think of Instagram)

Beyond the Five Senses

Ambiguity

Thinking about Realism

An anachronism in today

"Texture" and "Fluctuation" : Sensation as the Qualia

It's alive!

Fluctuation at the mind

Think of Death

木　村　尚　樹

fine art photography

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