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             木 村 尚 樹 
         NAOKI  KIMURA
         photographic arts
           since 1987

The "Fluctuation"

Fluctuation is a coiled feeling.

The "Fluctuation"

Yuragi — The Subtle Motion of the World

Yuragi refers to the faint, continuous movement that lives within the world—
the flow of wind, the reflection upon water,
the shifting tones of light, the quiet change within a human heart.
Each transforms from moment to moment, never remaining the same.

In Japanese aesthetics, the tenderness and quiet sorrow we feel in such transience
has long been called mono no aware.
In Zero-horizon Photographic Art, yuragi carries a similar sense.
It does not belong to the outer phenomenon itself,
but to the subtle reaction that arises within us when we perceive it—
the moment when the heart gently trembles.

Photography captures and fixes that very instant.
Yet the yuragi itself cannot be recorded on film or sensor.
What appears is only a fragment of the world,
while the yuragi we once sensed
awakens again within the viewer’s inner landscape.

In other words, yuragi in photography is
the impulse that moves the beholder’s heart.
The photographer’s task is to shape that impulse—
to discern which moment, which composition,
and which stillness to preserve.

This is not merely a matter of “technique,” but of method—
a manner of conduct I call Shadō, the Way of the Photograph.
Shadō is the act of leaving space for silence,
of keeping only what is essential,
of arranging the breath between light and shadow.
Through the act of photographing,
one listens to the world’s own rhythm,
to the quiet melody it offers by itself.
Therein lies the spirit of Shadō.

At the foundation of this idea stands Zero-horizon.
Zero-horizon signifies the point where object and mind,
the seer and the seen, dissolve into a single breath—
the horizon where the world’s respiration becomes one with our own.
Photography is a way to glimpse that horizon,
and Shadō is the path that gives it practical form.

Both yuragi and mono no aware
are, in the end, instinctive responses arising within us.
And this instinct is the very root of what we call beauty.
Thus, in Zero-horizon, we say:

— Beauty is instinct.

It is not a surge of emotion,
but the refined sensitivity that listens quietly
to the breathing of the world.

木 村 尚 樹

fine art photography

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